CONFLUENCE

Denver—Water. Rising sea levels, tales of drought and increasing scarcity, discussions around its rights, its uses, its increasingly critical role as a global currency: Water is a critical planetary issue that’s very much front and center for those of us Read on! →

Skyler McGee

Skyler McGee paints to locate herself. Location is not only an established place; it is also a network of relationships to be traversed and negotiated. To live somewhere, especially to create a sense of home, requires living with and through Read on! →

BEYOND THE PLANE

Denver—Stand in front of a work of art and what do you see? The surface? The shapes? The colors? Or something deeper? Space Gallery announces a show that challenges our perceptions of form in Beyond the Plane, opening Thursday, July Read on! →

Leopoldo Cuspinera Madrigal

For more than twenty-five years I have been focused on the dynamic relationship between landscape and memory. I think because I do not want to lose my own memory, I use many objects to trigger it. I have taken what is Read on! →

Joanne Mattera

The grid has long provided the conceptual underpinning of my painting. In Chromatic Geometry, a series I began in 2013, I’ve skewed the conventional 90-degree structure of the grid so that it has become a field of attenuated diamonds that Read on! →

Philip Tarlow

Paintings in mixed media on canvas, mostly based upon small plein air studies made at a local creek and inspired by 11th c. Chinese calligrapher Huang Tingjian. My Meta-Motion series of paintings are abstracted images of rocks, rushing creek water Read on! →

Nature’s Line

NATURE’S LINE

DENVER — Over stimulated by electronic information and computerized images, artists continue to mine inspiration from nature. Nature’s universal beauty beckons us, as it has throughout history. We crave its simplicity. Although, the simplicity of nature is fleeting. We have Read on! →

Amber George

I paint memories of plants, places or personal items such as clothing and fabrics. Rather than rely on actual documentation of those things, I use manipulated photographs, distorted photocopies along with intuitive and interpreted memories. I am attracted to bold Read on! →

Ruth Hiller

My recent paintings are the abstract interpretation of my obsession with perfection, speed and overwhelming technology. My soft shaped panels, combined with the hard edge use of materials, are the visual language I use to convey the most meaning through Read on! →